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It’s done — and documented

August 12th, 2013

Between the Walls and the Sea is now live on Bandcamp. Tapes ship out by September 25th, and you can pre-order them now.

One of the different things about this album — besides that it took four years to complete — is that I put a lot of effort into documenting the songs and recordings as they developed. I wasn’t in a hurry to get a record done and I sat on the songs for a long time. Back in 2009 I was recording a video demo of every new new song I wrote. More recently I’ve been posting sketches on Soundcloud. I’ve been posting lyrics as soon as a song is written here on Quelquechose, and as they get edited, I’ve been updating the same post with all the edits intact. Further, my Soundcloud has multiple versions of the songs as the recording progressed, so (if you want to — not saying you do) you could hear “Background” without the synths or “Cellar Door” back when it had a much simpler drum track. All of the songs on this new record have a post on this blog that archives the changes that occurred. I was also, for a while, keeping a live to-do list that I published on Twitter, but that fizzled out at some point

So, this album ended up being a songwriting documentary experiment, which you can check out by visiting the lyric archive, where I’ve compiled all of my songwriting posts grouped together by album. You can also view the song lyrics category to view the posts in reverse chronological order.


I’m recording and you get to watch.

November 14th, 2011

My vacation from music is over, I’m happy to say.

A long time ago, I started a YouTube channel where I was posting song sketches. I didn’t really know what I wanted to do with it–or with the songs–but I wanted to try something different. I wanted to publish the groundwork rather than waiting until a proper record came out for people to hear the songs. I really love recording and don’t consider myself much of a live performer, so that keeps my songs boxed up until a CD release. I kind of envy bands who can test out an early version of a song in front of an audience before going into the studio. I’ve always been a little protective of my work–I’m afraid that if you hear a track that hasn’t been obsessively worked over for six months, you’ll think I’m sloppy and not very good.

But now I think that if you have that kind of attitude you probably wouldn’t even pay attention to my blog or listen to the unfinished tracks anyways. What’s the harm in letting people in on the process, letting them witness the changes, and letting them see not only the work that I put past the gate, but also the stuff that I edit out? I really like rawness, mistakes, sketches, and happy accidents. An unfinished piece usually has a lot of character that can’t be recreated in the final product.

I was initially going to start from scratch and gradually write new songs. When I had a bunch, I would record them. I don’t know what the hell I was thinking–that’s not how I work. The songwriting process doesn’t drive me. I have no interest in writing songs unless I’m recording (or unless I have the right combination of depression and privacy). Writing bass lines, tweaking echo effects, fucking with synth plugins and micing amps are as much part of the songwriting process as playing chords and coming up with words.

So I decided to pick up where I left off and rework the songs from YouTube and record a new EP. Some of them are getting a near-total rewrite. I’m trying to take the folksy edge off of all of them and work them into a layered, echoey, loud, electric landscape. It’s a lot of fun to take something that started on an acoustic guitar and rebuild it from the drum machine up.

I’m also mixing down sketches that I have sitting on my fourtrack, which will probably turn into new songs for some future project. I’m documenting everything I can online: videos to YouTube, audio to SoundCloud, and updates to my recording to-do lists get automatically Tweeted.

My finished recordings are now up on Bandcamp for listening and purchasing. I made a compilation of all my best old songs (entitled Questions Unexplained) which you can get for free as individual tracks, or at a price of your choosing if you download the whole thing. There’s also my last two “studio” records, “Open” and “Exits + Obstacles.” I consider “Open” to be a major artistic success. Erase the 10 years of stress and anxiety preceding it and maybe it wouldn’t have been such a complete marketing failure. Maybe. Anyways, I’m very proud of that disc. Listen to it. Buy it.

As for “Exits + Obstacles,” I think it’s funny how right as I was releasing it, the economy was collapsing. It’s a loose concept record that I wrote as if I was living in a post-apocalyptic, mid-western dystopia. It was pretty easy since I already felt like I was. After listening to both of these records with fresh ears, I realized that there’s this subtle, angry political undertone in my songwriting that wasn’t there before. The royal “we” left my songs back in 2004, and when it came back, it came back darker and more damaged.